I started just blowing lightly on her left knee at just millimeters away almost touching them with my lips.
I blew at them at a circular motion, gently and slowly.
Then, I gave light kisses again in a circular motion on the left knee. After that, I use my mouth to rest gently on the flesh just above the knee cap.
From there, I used my tongue to paint it lightly in a straight line downward all the way till the bony area which is the lowest tip of the knee cap.
That moment, she already softened her posture as she relaxed and let her body weight rest totally against the backrest of the couch.
Her tensed muscle on her thighs were evidently relaxed too.
I continued with the painting execution and it was horizontal now, still on the left knee cap.
It would have looked like a Catholic priest blessing her knee cap, drawing the shape of a cross but using his tongue.
That was how I did it.
When that is done, I started to use my tongue again at the right end side of her left knee cap, still the same knee.
That side is the ‘entrance’ now to her mound as her knees are pushed against each other like an iron gate.
So, I worked on the left knee cap first.
From the right end side of her left knee cap, I gently work my way through and along the inner part of her left thigh.
At that position, with that execution, I would be Moses parting the Red Sea and true enough Selina, slightly parted her legs.
Swinging slightly both her knees outward, revealing and allowing me an audience with her glory mound, Amazonia paradise.
